Performed Works

Unperformed Works

Performed Works

Works for piano

Amabilités (1946-48) 8 pieces, partial creation by Monique Mercier (1948, École Normale, salle Debussy-Pleyel). Publisher: De Plein Vent. Performed again by Ana Garcia Urcola at Le Triton (2003, Paris).

La cage aux chiffres (1948), fantasy for piano, won an award at the French Festival Year (1950, London); members of the jury included Arthur Honegger and Louis Aubert. The music publisher Peeters refused to publish it ("ugly harmony").
Performed at the National Music Society by Evelyne Chaufour (1952), at Varese (1964) by Guido Salvetti. Performed again by Ana Garcia Urcola at Le Triton (2003, Les Lilas). De Plein Vent.

Instantanés (1955) performed by Monique Mercier (1948, Paris), Enza Ferrari, (1964, Milan) Performed again by Carine Gutlerner at Le Triton (2003, Paris) - De Plein Vent.

Suite pour piano (1956) création par Jean-Paul Sevilla (1963, Varese, 1964, Milan, Paris). Performed again by Carine Gutlerner at Le Triton (2003, Paris) - De Plein Vent.

Danses de peu (1963) 6 pieces. Performed by Carine Gutlerner at Le Triton (2003, Paris) - Éditions De Plein Vent.

Orbitales (1970), Transe calme (1974) Performed in Italy (1975, Côme) by Enza Ferrari, Brussels (1975, Europalia) and Paris (1976, Passage du XXe siècle) Carlos Roque Alsina.

17 Inventions (1987-1989) partially performed in Italy (1989) and Marseille (1990) by Anne Piret, performance of Inventions inédites (2003, Ircam) by Dimitri Vassilakis.

L'âge canonique (1952, revised 1995) Performed by Carine Gutlerner at Le Triton (2003, Paris) - De Plein Vent.

Placet (1997). Performed at l'Ircam (2006) by Thérèse Malengreau.

Mélopée (1997).

Suite Implicite (1998) 3 mouvements.

Météorite et ses métamorphoses (2000-2001), 31 variations and a coda. Performed in Brussels (2002), Paris (2003), partially at Ircam (2006) by Thérèse Malengreau - De Plein Vent.

Broutilles (2002) 12 pieces. Partly performed by Thérèse Malengreau in Paris (2003).

Espaces Intérieurs (2005) 3 pieces.

Exaltation (2005).

3 Études (2006).

Exercices de style (2007) published under the pseudonym Germain Cognito, Éditions Delatour.

Chamber music

Chemin de nuages (1948) mélodie pour soprano et piano, poem by Paul-Jean Toulet, performed by Micheline Bertaux and André Riotte (1948, Paris), and at Le Triton (2003, Paris) byKaoli Isshiki and Carine Gutlerner - De Plein Vent.

Berceuse pour un conte de fées (1948) for cello and piano, performed by Bernard Fonteny and André Riotte (1948, Paris), and at Le Triton (2003, Paris) by Anne-Cécile Fonteny and Ana Garcia Urcola - De Plein Vent.

Suite guerrière (1952) for two pianos. Performed at the National Music Society (1954) by Jacques Casterède and Christiane Augustin., and by M-C et F. Doublier (1970, Paris) - Delatour.

Trio à cordes (1954) performed by the Pasquier trio (Schola Cantorum, 1957, École Normale, 1958) The New Art String Trio (1996, New-York), the Orphée trio at Le Triton (2003, Paris).

Premier quatuor à cordes (1957) won an award from the Amis de la Musique de Chambre (1957, Paris), performed in Ispra (Italie), Dublin, Paris, Lyon (1963), and Londres (1954) by the Margand quartet.

Dualités( 1963) for violin and piano, performed by Michel Chauveton and Francisco De Brito (1964, Ispra, Venise, Varese), Paris (1965, Théâtre des Champs-Elysées). Spain, the United States (1965) and Italy, piano Jacques Lagarde (1966) - Delatour.

Hypnoses (1963) five melodies for mezzo-soprano and piano with lyrics by André Riotte. Performed by Rashida Agosti and Enza Ferrari (1964, Milan).

Multiple (1983) second string quartet, with multiple solutions, performed in Paris (1988, Perspectives du XXe siècle) by the Sarrebruck quartet.

Suite explicite (1974, revised 1990) for clarinet only, performed by E. Zappatini (1963, Milan) 1st performed in Belgium (Brussels, Europalia France, 1975) by Michel Portal. Score completed in 1990 (5 movements): partially performed by Didier Beloeil (1991, Festival de musique contemporaine d'Evreux) - Delatour.

Le coq et la perle (1950, revised 1995) for mezzo-soprano and piano, to words by Max Jacob. Performed at Le Triton (2003, Paris) by Kaoli Isshiki and Carine Gutlerner - De Plein Vent.

Origami, collection for string quartet (2005) 6 mouvements.

Apartés (2006) 3 pieces for violin.

Dualités (1962) for violin and piano , Éditions Delatour.

Suite Guerrière (1952) for 2 pianos , Éditions Delatour.

Small ensembles, percussions

Jubilation heuristique (1968) for mezzo-soprano, clarinet, trumpet, marimba and electro-acoustic devices. Entremonde Gallery (1968, Paris).

Anamorphoses (1977) for baryton and eight musicians to words by Marc Rombaut. Performed in Belgium (International Congress "Le récit et sa représentation") by Musique Nouvelle, conducted by G.E. Octors, (1977, Saint-Hubert, 1977  ; 1978, Théâtre 140 , Brussels, 1978). 1st performance in France (Nantes, Angers, 1984, Festival Musiques du XXe siècle) by the Alternance ensemble, conducted by Lukas Pfaff - De Plein Vent.

Jubilation (1992) for 12 strings, performed by the Stringendo ensemble, conducted by J. Thorel. (1992, Saint Julien-le-Pauvre Paris).

Rymes (2003) for soprano and a small ensemble, 4 poems by Pernette du Guillet.

Messe des Apôtres (1954- Rev. 2004) for 3 male voices a capella.

L'âge canonique (1952 -2005) for wind instruments.

Fanfares (1999-2005) 6 pieces pour wind instruments.

Minimales (2008) 12 pieces for 4 instruments and one percussionnist ; performed in Manhattan (September 2008) by the New-York Miniaturist Ensemble.

Lettera Amorosa (2010) on a text by Rebé Char, for baryton and a small ensemble.

Orchestra, orchestra and vocals

Abysses (1948, revised 1962) etude for symphony performed (1964, Ispra, Italy) by the Orchestre de la Radio Svizzera Italiana, conducted by J. Jakus. Germany, conducted by E. Jochum (1966, Duisbourg).

La Bibliothèque de Babel (1985) inspired by Jorge Luis Borgès, for soloist, soprano, baryton, brass quintet, percussions, two groups of vocalists and wind section, commissioned by the State (Maurice Fleuret). ). Performed in Nantes and Angers (1985, Festival Musiques du XXe siècle).
Soloist: Jean Gillibert, Soprano : Mireille Patrois Baryton : Jacques Bona.
Nantes brass quintet and percussion ensemble, Schola Cantorum, Nantes and University Choir of Angers, conducted by Jean-Claude Brehu, , Union philharmonique de Nantes, conducted by Michel Berger.
Conducted and coordinated by Jenö Rehak.

Palinodie (1991) for wind section, State commission. Performed by the Harmonie - Ecole Régionale, conducted by Michel Peus, (Perpignan Festival 1992).

Le Grand Relief (1994) for orchestra, commissioned by UDCM 93. Performed by the Jeune Philharmonie de la Seine-Saint-Denis, conducted byH.-C Fantapié (1999, Noisy-le-Sec).

Performed Works

Unperformed Works

Unperformed Works

Works for piano

La jeune créole (1949).

Imitations (1950- rev. 2000) 2 pieces.

Objets (1958-62) 4 pieces.

Première sonate (1963) in 2 movements.

Alleluia (1985).

Allusions (1992) 5 pieces.

Antienne (1995) - Delatour.

Mélopée (1997).

Suite Implicite (1998) 3 movements.

Petite Suite Équilibrée (2001) 3 sequenced movements - Delatour.

Lignes (2001).

Broutilles (2002) 12 pieces.

Auras (2004) 5 pieces.

Mouvances (2004) 3 pieces.

Espaces intérieurs (2005) 2 pieces.

6 Études, first part (2001-2005).

6 Études, second part (2005-2006).

Intime (2007) 4 pezzetini.

Isola Madre, l'ultimo riposo (2007).

4 petites pièces (2007).

L'imprévu (2008) 2 pièces.

Chamber music

Petite suite pour flûte seule (1955) 4 movements.

Lettera amorosa (1967) cycle of 11 melodies for baryton and piano to words by René Char.

Le miroir à trois faces (1989) for trumpet and piano.

Abolis bibelots (1994) for 5 instruments.

Chansons briardes (2004) 2 melodies for baryton and piano.

Origami (2005) collection for string quartey - 6 mouvements.

Apartés (2006, revised Mai 2007), 3 pieces for violin.

Chant Pascal (2007) for cello and harpsichord.

Small ensembles, percussions

Messe des Apôtres (1954, revised 2004) for 3 a capella male voices.

Partitions-Gouffres (1987) for four percussions.

Arcanes (1990) for 1 to 3 percussionnists, commissioned by the Bagnolet Conservatory.

Abolis bibelots (1994) for 5 instruments, commissioned by SFAM.

Rymes (2003) for soprano and 6 instruments, to poems by Dame Pernette du Guillet.

Orchestra, orchestra and vocals

Suite Guerrière (1952 - orchestration 2004).

L'âge canonique (1952 - orchestration 2005) for wind ensemble.

Hypnoses (1967) version for mezzo-soprano and orchestra.

Invocations (2002) for orchestra.

Fanfares (2004) 6 pieces for wind ensemble.

Obsession (2006 - 2007) for orchestra.

Invocations (2002) for orchestra. Unperformed.

Suite Guerrière (1952-2004) 3 movements for orchestra. Unperformed.

Obsession (2007) for orchestra. Unperformed.