Table of contents

Foreword
Introduction
The Swerve and the Flow: Music’s relationship between Mathematics
(...)

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Doesn’t the speculation about the number include the idea of a music that wouldn’t be from here? André Riotte, whose works are quite present when in such a gathering, writes about his piano piece Météorite et ses Métamorphoses that it would “...have come from another world”. Music: a world of abroad, a word of itself, world of merger, delta, world of passage? One, nevertheless, projects over it his relation to the chaos that founds it. (...)

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